I understand that this blog is primarily composed of my complaining and whining.
Writing this story is killing me. When I first wrote it as a short story with two characters, something about it came so easily. Not that this isn't spilling out of me easily--it's just so hard.
I've become attached to my characters, and I think that's what's killing me. The Boy, an alcoholic who just wants to have fun and passes up what is probably his only chance at love because of fear. The middle-aged woman who just wants someone to love her and ends up marrying a man who's using her for her money. The man who leaves his wife for a boy who doesn't want him. The heroin addict who has big dreams but no motivation, and ends up overdosing. The boy who just wants to figure out who he is, who is broken-hearted from a boy who keeps his distance and finds the heroin addict dead.
I know what happens to them, but something about them has become a part of me. I know that the heroin addict dies, but as I'm writing about her I still feel an overwhelming sadness, and even suspense at whether or not she will die even though I know that she does.
So what do I do to try and get a LITTLE distance from this story? I write another one. About? A boy who thinks his friend, who committed suicide, was murdered. A woman who has an affair with her employer. The employer who's killed by his wife. The two homosexuals whose path keeps almost crossing but not, until one finally accidentally runs the other over, making him paralyzed from the waist down. A boy who loves a girl, the girl who's seeing another boy behind his back and ends up with the other boy.
I've become too attached to these characters as well.
My friend T, who recently inquired about my recent writing, asked me if I was depressed. And it's not really that; in fact, the only time I feel sad is after I've written about these people's lives. I'm not depressed, I'm usually a rather happy person. But when I write, when my brain, heart, and fingers connect pen to paper, this is the kind of story that comes out.
It's wearing at me, and often I feel my personality. I want these characters to be happy, but I know that they can't. And what's even worse, my readers are missing the POINT of my stories. Every story has a sick, twisted happy ending. The Railroad ends with a boy who's had his heart broken, lost his innocence, et cetera--and yet, in the process, he's discovered who he is and what his purpose in life is, what he wanted all along. Snow, ending with a man hitting a boy with his car and paralyzing him from the waist down: and yet, they've finally met, and the man vows to stay with the boy and help him forever.
My stories are about finding the joys in and of misery. Perhaps when I finally finish writing them I can feel satisfaction about the characters.